No. 13 (2018): Borders of the Visible - I: Intersections between Literature and Photography

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• Introduction

  Giuliana Ferreccio, Luigi Marfè

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Focus | Theories of the Phototext

• Planetary Madness: Globalizing the Ship of Fools

  W.J.T. Mitchell

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• Photos, Facts and Fiction: Literary Texts and Mechanical Representation

  Marie-Laure Ryan

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• “Camera Lucida”’s Iconography, or Roland Barthes’ Visual Manifesto for Minorities

  Magali Nachtergael

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• The Narration of Photography on the Example of Selected Famous Photographs

  Artur Mamcarz-Plisiecki

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• Geoff Dyer’s Ways of Seeing

  Silvia Albertazzi

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• Geography of the Gaze: Ghirri, Berger, Celati

  Luigi Marfè

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Percorsi | History, Memory, Postmemory

• Art and Life, Life and Death

  Jens Brockmeier

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• The Place of Photography in Testimonial Literature

  Chiara Nannicini Streitberger

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• Activating Visual Imagination: Ida Fink’s Tangible Narrative

  Nourit Melcer-Padon

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• La trasparenza del velo. Il dispositivo fotoletterario in “Le Voile noir” d’Anny Duperey

  Margareth Amatulli

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• Images of Catastrophe in Contemporary Norwegian Narratives

  Tatjana Kielland Samoilow

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Percorsi | Places, Cultures, Society

• Photography and the Representation of Evil

  Alessandra Mascia

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• Looking for Harlem: The Absent Narrator in Roy DeCarava and Langston Hughes’ “Sweet Flypaper of Life” (1955)

  Caroline Blinder

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• Public Memory Underground Photographs of Protest in Uwe Johnson’s “The Third Book About Achim” (1967)

  Anke Pinkert

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• Photographic Portraits and Editorial Staging

  Sabrina Grillo

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Percorsi | Writers and Photographers

• La fotografia e “il disgusto della vita moderna”. Da Gérard de Nerval a Charles Baudelaire

  Diego Mormorio

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• James Agee and the Photo-Essay Book: “Cotton Tenants. Three Families” (1936*-2013)/ “Let Us Now Praise Famous Men” (1941)

  Cinzia Scarpino

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• Eyes Wide Shut. L’incontro a Leeds fra Zygmunt Bauman e Mirosław Bałka

  Laura Quercioli Mincer

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• A One-Day Derive in Johannesburg: Ivan Vladislavić’s and David Goldblatt’s Photo-Text between Flânerie and Psychogeography

  Carmen Concilio

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• Poetry, Thought, and Image Intertwined: “El Truco Preferido de Satán” by Walter Benjamin and Alberto García-Alix

  Marius Christian Bomholt

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Percorsi | Photographs, Narrative, and Metanarrative

• Beyond Intersemiosis: Short Phototextual Forms and Hybrid Narrative

  Elisa Bricco

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• Soglie narrative e fotografiche in “Leggenda privata” di Michele Mari

  Roberta Coglitore

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• “O neghi il tempo o ne sei negato”. Fotografia e dualismo in “Autopsia dell’ossessione” di Walter Siti

  Silvia Cucchi

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Letture

• “Writing Against the Images”: On “Baudelaire. Les années profondes” by Michel Schneider

  Katarzyna Thiel-Jańczuk

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• “Io scrivo ciò che vedo”: “Einmal” di Wim Wenders tra “immagini autocelebrative” e “priorità del racconto”

  Francesca Tucci

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• “These Aren’t the Right Pictures”: Framing Strategies in Rutu Modan’s “Ha-nekes” (2013)

  Elisa Carandina

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