No. 13 (2018): Borders of the Visible - I: Intersections between Literature and Photography

• Download Table of Contents

  • PDF (Italiano)
• Download the Whole Issue

  • PDF

• Introduction

  Giuliana Ferreccio, Luigi Marfè

  • PDF

Focus | Theories of the Phototext

• Planetary Madness: Globalizing the Ship of Fools

  W.J.T. Mitchell

  • PDF (Italiano)
• Photos, Facts and Fiction: Literary Texts and Mechanical Representation

  Marie-Laure Ryan

  • PDF
• “Camera Lucida”’s Iconography, or Roland Barthes’ Visual Manifesto for Minorities

  Magali Nachtergael

  • PDF
• The Narration of Photography on the Example of Selected Famous Photographs

  Artur Mamcarz-Plisiecki

  • PDF
• Geoff Dyer’s Ways of Seeing

  Silvia Albertazzi

  • PDF
• Geography of the Gaze: Ghirri, Berger, Celati

  Luigi Marfè

  • PDF (Italiano)

Percorsi | History, Memory, Postmemory

• Art and Life, Life and Death

  Jens Brockmeier

  • PDF (Italiano)
• The Place of Photography in Testimonial Literature

  Chiara Nannicini Streitberger

  • PDF (Français (France))
• Activating Visual Imagination: Ida Fink’s Tangible Narrative

  Nourit Melcer-Padon

  • PDF
• La trasparenza del velo. Il dispositivo fotoletterario in “Le Voile noir” d’Anny Duperey

  Margareth Amatulli

  • PDF (Italiano)
• Images of Catastrophe in Contemporary Norwegian Narratives

  Tatjana Kielland Samoilow

  • PDF

Percorsi | Places, Cultures, Society

• Photography and the Representation of Evil

  Alessandra Mascia

  • PDF (Français (France))
• Looking for Harlem: The Absent Narrator in Roy DeCarava and Langston Hughes’ “Sweet Flypaper of Life” (1955)

  Caroline Blinder

  • PDF
• Public Memory Underground Photographs of Protest in Uwe Johnson’s “The Third Book About Achim” (1967)

  Anke Pinkert

  • PDF
• Photographic Portraits and Editorial Staging

  Sabrina Grillo

  • PDF (Français (France))

Percorsi | Writers and Photographers

• La fotografia e “il disgusto della vita moderna”. Da Gérard de Nerval a Charles Baudelaire

  Diego Mormorio

  • PDF (Italiano)
• James Agee and the Photo-Essay Book: “Cotton Tenants. Three Families” (1936*-2013)/ “Let Us Now Praise Famous Men” (1941)

  Cinzia Scarpino

  • PDF
• Eyes Wide Shut. L’incontro a Leeds fra Zygmunt Bauman e Mirosław Bałka

  Laura Quercioli Mincer

  • PDF (Italiano)
• A One-Day Derive in Johannesburg: Ivan Vladislavić’s and David Goldblatt’s Photo-Text between Flânerie and Psychogeography

  Carmen Concilio

  • PDF
• Poetry, Thought, and Image Intertwined: “El Truco Preferido de Satán” by Walter Benjamin and Alberto García-Alix

  Marius Christian Bomholt

  • PDF

Percorsi | Photographs, Narrative, and Metanarrative

• Beyond Intersemiosis: Short Phototextual Forms and Hybrid Narrative

  Elisa Bricco

  • PDF (Italiano)
• Soglie narrative e fotografiche in “Leggenda privata” di Michele Mari

  Roberta Coglitore

  • PDF (Italiano)
• “O neghi il tempo o ne sei negato”. Fotografia e dualismo in “Autopsia dell’ossessione” di Walter Siti

  Silvia Cucchi

  • PDF (Italiano)

Letture

• “Writing Against the Images”: On “Baudelaire. Les années profondes” by Michel Schneider

  Katarzyna Thiel-Jańczuk

  • PDF (Français (France))
• “Io scrivo ciò che vedo”: “Einmal” di Wim Wenders tra “immagini autocelebrative” e “priorità del racconto”

  Francesca Tucci

  • PDF (Italiano)
• “These Aren’t the Right Pictures”: Framing Strategies in Rutu Modan’s “Ha-nekes” (2013)

  Elisa Carandina

  • PDF