Geografie dello sguardo. Ghirri, Berger, Celati
DOI:
https://doi.org/10.13135/2281-6658/3082Parole chiave:
Luigi Ghirri, John Berger, Gianni Celati, Letteratura, FotografiaAbstract
In chasing the perfect moment—the Barthesian punctum—some photographers seem to harbor a silent desire of possession, a ravenous attitude towards their objects. Luigi Ghirri, on the contrary, imagined his photographs as a sort of “caress” given to ordinary and forgotten places. His research on the landscape drew up an “atlas of the gaze” which was at the same time a narrative “catalogue of perceptual habits”. His work reveals many affinities with writers such as John Berger, Gianni Celati and Peter Handke, and filmmakers such as Wim Wenders and Werner Herzog. They were all looking for new ways to rethink and represent the relationship between “landscape” and “inscape”, against the contemporary “destruction of experience”, in Giorgio Agamben’s terms. Ghirri, Berger and Celati, in particular, decided to follow, in their texts and photographs, feeble “traces” and “appearances” of a possible re-enchantment of the world. “Perhaps in the end all the places, objects, things, and faces we met by chance”, Ghirri wrote, “are simply waiting for someone to look at them, to recognise them and not to deprecate them”.Downloads
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Pubblicato
2018-12-25
Fascicolo
Sezione
Focus | Theories of the Phototext
Licenza
Gli autori mantengono i diritti sulla loro opera e cedono alla rivista il diritto di prima pubblicazione dell'opera, contemporaneamente licenziata sotto una Licenza Creative Commons - Attribuzione che permette ad altri di condividere l'opera indicando la paternità intellettuale e la prima pubblicazione su questa rivista.