V. 13 N. 2 (2024): DRHA

Visualizza V. 13 N. 2 (2024): DRHA

Proceeding of DRHA (Digital Research in the Humanities and Arts), University of Turin 10-13 September 2023.

DOI: https://doi.org/10.13135/mj.v13n2

Pubblicato: 2024-12-19

Editoriale

Introduzione

Antonio Pizzo, Gabriella Giannachi, Letizia Gioia Monda

9-10
- PDF (English)

The Documentation, Conservation, and Sharing of Cultural Heritage

The Documentation, Conservation, and Sharing of Cultural Heritage

Gabriella Giannachi

13-27
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From Digital (Art) Curation to Networked Co-Curating

Annet Dekker

29-41
- PDF (English)
The Rumor Underneath A Feminist Approach to Performance-Based Art Conservation

Irene Pipicelli

43-54
- PDF (English)
Giacomo Verde’s Archive

Anna Maria Monteverdi

55-63
- PDF (English)
FORMA. Rappresentare lo spazio. Performance, Documentation, and Immersive Archive.

Diego Schiavo

65-28
- PDF (English)
The Value of Choices The DIAL Project

Raffaella Tartaglia

79-85
- PDF (English)
Digital Valorisation of Cultural Memories Three Case Studies in the Emilia-Romagna Region

Federica Collina, Francesca Fabbri

87-93
- PDF (English)
Participatory Experiences as a New Way to Access Conservation Data in Museum Contexts

Manuele Veggi, Sofia Pescarin

95-102
- PDF (English)
Digital Resources for Manuscripts: Between Fragmentation and Development Prospects

Chiara Senatore, Roberto Rosselli Del Turco, Paola Pisano

104-118
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DARIAH.it: Data Integration Strategies and Solutions for Digital Resources Management and Research in the Arts and Humanities

Alessia Spadi, Emiliano Degl'Innocenti, Carmen Di Meo

119-134
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Use, Reuse and Valorisation A Web App for the Italian Cultural Heritage

Giulia Fabbris, Alessandro Bertozzi

135-149
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Grandmother, Mother, Daughter: A 19th Century Egyptian Inheritance Exploring the impact of archival storytelling through a site-specific spatial augmented reality exhibit in a private historic house.

Sally Ann Skerrett

151-167
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The Distribution of the Sensible

Flavia D'Amico

169-176
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Sensoriality, Art and Scenographic Culture in the 16th-18th Centuries An interactive and Inclusive Online Exhibition

Carmen González-Román

177-184
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Between Scenarios Traces of Customs in Tullio Victorino’s Paintings

Elaine Karla de Almeida

185-198
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Challenges and Opportunities for the Digital Enhancement of Religious Cultural Heritage A Proposal for the Arca di San Domenico in Bologna

Melissa Macaluso

199-213
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The Digital Content An Opportunity to Enjoy Collections

Lara Corona

215-227
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Integrating AI in Museums A New Phase in Museum Transformation

Yael Eylat Van Essen

229-242
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The Digital Performance of Cultural Heritage

Performance

Antonio Pizzo

245-259
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The Re-use of the Classics as Intangible Cultural Heritage: The “Dead Centre” Case

Andrea Malosio

261-266
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Reinventing and Relocating Opera Digital Creativity and Opera Heritage in the Intermedia Project by Davide Livermore and D-Wok

Giulia Anastasia Carluccio, Stefania Rimini

267-275
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The Digital Upgrade of Opera Theatre Intermedial Dramaturgies and Technological Visualities in Fanny & Alexander’s Spectacles

Laura Pernice

277-291
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The Dramaturgies of Volumetric Capture

Lee Miller, Joanne 'Bob' Whalley

293-304
- PDF (English)
Theatrical Characteristics Behind Immersivity Through the Idea of “Arche-Screen”: A First Case Study

Francesco Melchiorri

305-318
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Orchestra in Digital Transformation Expanding Perceptual Possibilities of Classical Music with a Hybrid Performance Format

Lara, Renate Buschmann

319-329
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Virtual and Real Ideas and Tools for an Enhanced Theatre in an Empathic Direction

Giorgia Coco

337-337
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Between the White Box and Ethics: Social Knowledge and Ecological Communication in Three Participative Artworks by Salvatore Iaconesi and Oriana Persico

Luca Befera

339-353
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Inês de Castro in Scenic and Performative Visions Studies on the Digital Collection of the Museu Nacional do Teatro e da Dança of Portugal

Michele Augusto

356-368
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Digital and/or Analogue? Notes on the Exhibition Display from Post Zang Tumb Tuum. Art Life Politics: Italy 1918-1943 to 1923: Past Futures

Massimo Maiorino

369-377
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Art through Wikidata A Digital Curation Perspective

Toni Sant, Enrique Tabone

379-389
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Sounding the Museum The Problematic of the Loudspeaker

David Prior

391-397
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& I, the Moment of being Dis-Stance Together Research into Online Performance Design for the Interplay between Intangible and Tangible Cultural Heritage

Yi-Chen Wu

399-412
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Tradition Upgraded, ICH Redefined Through Innovation: The Case of a Kun Qu Opera Costume Redesigned Embedding Kinetic Functionalitie

Ivan Parati

413-420
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Strategies of Digital Engagement for Cultural Heritage

The Digital Engagement: An Approach to Design the Ecology of Post-Digital Performances

Letizia Gioia Monda

423-434
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New Frontiers for Museum Spaces in the Phygital Dimension: What Digital Technology Can Do

Alessandra Miano

435-441
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Cultural Heritage and Mediation The Use of ICT in the Communication of the Artistic Layers of the Church of Saint John the Baptist of Foz do Douro

Tiago Cruz, Marisa Pereira Santos

443-456
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Visiting a Neighborhood of Medieval Silves Using Virtual Reality and Non-Player Characters

Rui Antunes

457-470
- PDF (English)
Digital Heritage and Its Implications for Global Citizenship Education

Amira Ahmed, Aleksandra Dulic

471-485
- PDF (English)
The Archeologies of Future Heritage Cultural Heritage, Research Creations and Youth

Susanne Adahl, Tomas Träskman

487-497
- PDF (English)
Exploring Symbolic Narratives in Virtual Spaces Leveraging Curiosity-Driven Design and the Attention-Value Model for Educational VR Museum Experiences

shirin hajahmadi, Seyedali Ghasempouri, Gustavo Marfia

499-511
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Digital Fabrication for Cultural Heritage Enhancement A Tale of Three Projects

Quang Huy Nguyen, Marialetizia Tramontin, Marianna Belvedere

513-525
- PDF (English)
Authenticity, Risk and Co-Production Immersive Digital Media in Decolonial Heritage Practice

Dominique Bouchard

527-542
- PDF (English)
Bathing in Glitter, Swimming in Neon Lights, Dipping in Cloudlike Ball Pits Three Case Studies to Delve into the Instagram Museums Era

Carola Del Pizzo

543-555
- PDF (English)
Should Holograms Be Displayed Next to Papier-Mâché Models? Reflections on the Conflict of the Pre-Digital and the Post-Digital Museum

Argenis Ramirez Gomez, Claire Bailey-Ross

557-563
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Physical Spaces for Virtual Realities Forging Legitimacy of Immersive Social Documentaries

Anja Boato

565-576
- PDF (English)
Coming (OUT) the Museum Cinematographic Engagements through Outfest’s LGBTQI+ Arts and Media Virtual Museum

Giovanna Santaera

577-584
- PDF (English)
Toward a New Culture for Immersive and Participatory Projects

Pedro Medina Reinón

585-596
- PDF (English)
Digital Curatorship Practices for Fashion-Heritage Experiences

Federica Vacca, Angelica Vandi

597-608
- PDF (English)
Participation and Inclusion with Digital National Collections Co-Designing the Sloane Lab

Alda Terracciano, Julianne Nyhan, Andrew Flinn

609-616
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Seeking Attention Exhibition-Related Practices As Sites of Attention Care in the Context of Digital Attention Economies

Renata Pekowska

617-623
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Engaged or Not Engaged, That Is the Question: The Impact of Duality on the Participatory Experience of Augmented- Reality Interventions in Cultural Spaces

Liam Jefferies

625-640
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Liveness in the Metaverse The Dramaturgical Role of User-Experience Design in Online Digital Performance

Federica Patti

641-654
- PDF (English)

Abstract DRHA

My Father’s Song: Interaction Design Installation

Joan Karlen

657-658
- PDF (English)
Guiding the “Authentic” Storytelling of Cultural Heritage in Virtual Reality and Extended Reality: A Trust Framework

Ke Zhao, Xiaoguang Wang, Yi Zhang, Qiyun Zhang

659-660
- PDF (English)
Peaceful Places An immersive, partecipatory performance

Margherita Landi

661-662
- PDF (English)