Digital Fabrication for Cultural Heritage Enhancement

A Tale of Three Projects

Authors

DOI:

https://doi.org/10.13135/2389-6086/9989

Keywords:

Digital fabrication, Cultural Heritage, enhancement, museum, fruition

Abstract

Technologies of digital fabrication (DF) facilitate methods to form the physical reproductions from 3D digital models. In recent decades, we have seen a vast development of those technologies, which have surpassed traditional methods because of fast replicability, flexible scalability, and data digitability. In the field of cultural heritage (CH), because of the ability to enhance the authenticity of antiquities, human-centric and experience museum design are now considered as effective tools of information delivery. The goal of the article is to create a common workflow for applying digital fabrication in three cases and assess their effectiveness through context, objectives, technologies used, inclusivity and accessibility, interactivity, and narrativity.

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Author Biographies

Quang Huy Nguyen, Politecnico di Milano

Quang Huy Nguyen is a student at the Politecnico di Milano in the master’s program Landscape architecture and landscape heritage.

Marialetizia Tramontin, Spazio Geco societá cooperativa

Marialetizia Tramontin is an archeologist and junior accounts manager at Spazio Geco in Pavia, as well as a student of the Master School in Archaeological Heritage at the University of Milan.

Marianna Belvedere, Spazio Geco societá cooperativa

Marianna Belvedere is an art historian, cofounder, and project manager at Spazio Geco, in Pavia, as well as an expert in museology, heritage education, and innovative solutions in the field of cultural heritage.

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Published

2024-12-19

How to Cite

Nguyen, Q. H., Tramontin, M., & Belvedere, M. (2024). Digital Fabrication for Cultural Heritage Enhancement: A Tale of Three Projects. Mimesis Journal, 13(2), 513–525. https://doi.org/10.13135/2389-6086/9989

Issue

Section

Strategies of Digital Engagement for Cultural Heritage