Digital and/or Analogue?

Notes on the Exhibition Display from Post Zang Tumb Tuum. Art Life Politics: Italy 1918-1943 to 1923: Past Futures

Authors

DOI:

https://doi.org/10.13135/2389-6086/9950

Keywords:

Digital Humanities, Exhibition Theory, Art Ctiticism

Abstract

The museum, and in particular the field of temporary exhibitions, has become a space for experimentation, a laboratory for verifying the digital horizon as a medium of narration of art history. This condition is evident in two exhibitions in Milan: Post Zang Tumb Tuuum. Art Life Politics: Italia 1918-1943 at the Prada Foundation (2018) and 1923: Past Futures at the Milan Triennale (2022), that highlight the convergence and the difference between analogue writings and digital devices. The article analyses these exhibitions as possible paradigms of the exhibition and museum canon of the present time in relation to digital humanities.

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Author Biography

Massimo Maiorino, Università degli Studi di Salerno

Massimo Maiorino is Phd in Method and Methodology of Archaeological, Historical-Artistic Research. He is tenure-track assistant professor (RTDb) of Museology at University of Salerno. He has published essays on the relationships between art, criticism and exhibition systems in present time. He has collaborated with the National Gallery in Rome and has curated exhibitions and conferences.

 

 

 

 

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Published

2024-12-19

How to Cite

Maiorino, M. (2024). Digital and/or Analogue? : Notes on the Exhibition Display from Post Zang Tumb Tuum. Art Life Politics: Italy 1918-1943 to 1923: Past Futures. Mimesis Journal, 13(2), 369–377. https://doi.org/10.13135/2389-6086/9950

Issue

Vol. 13 No. 2 (2024): DRHA

Section

The Digital Performance of Cultural Heritage

License

Copyright (c) 2024 Massimo Maiorino

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.