Orchestra in Digital Transformation

Expanding Perceptual Possibilities of Classical Music with a Hybrid Performance Format

Authors

  • Lara Perski University of Groningen
  • Renate Buschmann

DOI:

https://doi.org/10.13135/2389-6086/10028

Keywords:

music, hybrid format, historical analysis, audience feedback

Abstract

The article analyses a multimedia concert practice ‘Raumkonzert’ (‘expanded concert’, 2019-2022), which aims to create a walkable musical space by inviting the musicians to play in separate rooms while being connected to each other and to the conductor via digital equipment. This allows the visitors to experience the spatially expanded musical performance in an open and participatory “pick your own adventure” fashion. As the authors have acted as curators for one such concert, they explore the transformative and aesthetic potential of this format as well as its historical precursors and elaborate on the process of its site-specific execution.

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Author Biographies

Lara Perski, University of Groningen

Lara Perski is a Ph.D. student in Film at the University of Groningen, where she is working on a conceptual history of cinematic beauty. She is also a film programmer and critic, and a digital collection management expert.

Renate Buschmann

Renate Buschmann is Chair for Digital Arts and Culture Communication at the Witten/Herdecke University. Before that, she served as the Director of the IMAI Foundation in Düsseldorf for over 10 years.

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Published

2024-12-19

How to Cite

Perski, L., & Buschmann, R. (2024). Orchestra in Digital Transformation: Expanding Perceptual Possibilities of Classical Music with a Hybrid Performance Format. Mimesis Journal, 13(2), 319–329. https://doi.org/10.13135/2389-6086/10028

Issue

Section

The Digital Performance of Cultural Heritage