No. 24 (2024): The Fantastic and Ideology

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  1-230

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  5-6

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Introduzione

• The Ideologies of the Fantastic An Itinerary through Contemporary Literatures

  Anna Boccuti

  7-14

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Focus

• The Fantastic and Ideology Two Chapters for the Story of a Misunderstanding

  Stefano Lazzarin

  17-37

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• Fantastic Nuances The (In)visible Ideology in the Imaginary Cities by Rhys Hughes, Mélanie Fazi and Ana Teresa Pereira

  Maria João Simões

  39-51

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• Vampire Mothers and Hybrid Creatures Reflections of Contemporary Feminism and Transhumanist Questions

  Raquel Álvarez-Álvarez

  53-70

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• Post 9/11 Fears and the Latin American Fantastic The Enemy Within, Scapegoats and Political Ideology in Samanta Schweblin’s “Distancia de Rescate”

  Lucy Bell

  71-96

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• Skin Walls Disease, Political Ideology and Fantasy in Julio Cortázar's “Pesadillas”

  Margherita Cannavacciuolo

  97-110

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• Cervantes’s Captivity Don Quixote in Dictatorship and Post-Dictatorship Argentine Theater

  Stefania Di Carlo

  111-128

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• “El oro de Bizancio se fatiga en San Marcos” Perucho and the Fantastic Re-Invention of History

  Lídia Carol Geronès

  129-142

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• The Justiciary Sword of the Fantastic “Parabellum” and “El pacto”, by Juan Marsé

  Claudia Cabrera Espinosa

  143-160

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• When the Fantastic Meets the Dystopic “La biblioteca fantasmal” by José María Merino

  Erwin Snauwaert

  161-176

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Percorsi

• Screening Devices and Metavisual Frontiers “Frost”, by Šarūnas Bartas

  Alberto Spadafora

  179-190

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• From History to Myth, from Parody to Antiutopia The Science Fiction of Karel Čapek and Aleksej Tolstoy

  Carlo Caccia

  191-206

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• “Si va e si torna insieme” Thinking (beyond) the Catastrophe with “Plop” by R. Pinedo and “Tejer la oscuridad” by E. Monge

  Edoardo Balletta

  207-226

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