No. 19 (2021): André Salmon, Writer: A Polyphonic Modernity

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  3-4

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  1-200

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• A Proteus-like, Multiform Voice

  Franca Bruera

  7-12

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Focus

• André Salmon and Picasso, “Greatest Artist of His Era”

  Peter Read

  13-26

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• “Halte-là la musique / par ici les chansons” André Salmon on the Airs of His Time

  Jacqueline Gojard, Alessandro Maras

  27-42

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• “Le faux n’est révéré que pour l’amour du vrai” Salmon and “Prikaz”

  Alexander Dickow

  43-56

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• An Urban Novel The “Ambient Lyricism” in “La Négresse du Sacré-Coeur”

  Émilien Sermier

  57-70

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• André Salmon, Journalist From the Spanish Civil War to Liberation

  Marilena Pronesti

  71-88

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• André Salmon at the Confluence of Literature and Journalism From the “Lyrisme du Quotidien” to Poem-Reportage

  Maria Dario

  89-112

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• Guillaume Apollinaire and André Salmon: Two Poets in Correspondence As the Letters and Texts Go, through the Years, 1903-1969

  Jacqueline Gojard

  113-121

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Percorsi

• “Un acte où le hazard est en jeu” Achievement and Negation of Chance in Mallarmé

  Benoît Monginot

  123-130

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• A Gaddus Journey Unpublished Documents on the Editorial History of « L’affreux pastis de la rue des Merles »

  Matteo Bafico

  131-144

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• Learning to See Rilke as Interpreter of Cézanne

  Vanessa Pietrantonio

  145-158

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• The Tanztheater: From Rudolf Laban's Free Dance to Pina Bausch Method The Symbolic Value of Movement in Dance

  Cristina Grandi

  159-172

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• All Artists Are the Cannibals of Their Predecessors

  Franca Franchi

  173-186

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Letture

• Writing Books in a Visual Media Milieu Jérôme Meizoz, “Faire l’auteur en régime néo-libéral: rudiments de marketing littéraire” (2020)

  Alessandro Grosso

  189-197

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