No. 14 (2019): Borders of the Visible - II: Intersections between Literature and Photography

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• Introduction

  Luigi Marfè

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Headlines

• Present Tense: Time, Madness, and Democracy

  W.J.T. Mitchell

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Focus

• Between Allegory and Modern Montage: The Images in W.G. Sebald’s “Vertigo”

  Angela Breidbach

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• For a Photographic Autobiography

  Epifanio Ajello

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• Photography as Automaton: Roland Barthes and Fellini’s Mechanical Doll

  Margaret E Owens

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• In Search of “the Aleph of the Other”: Photographic Archive and Narrative Structuring in the Biographic Prose of Édouard Levé

  Julie Gaillard

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• Photographs, Memories, Monuments and Movements: Black and White Istanbul in the Work of Orhan Pamuk and Ara Güler

  Ayşe Erek, Esra Almas

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• Meaning and Functions of Photography in Verbal-Visual Poetry

  Federico Fastelli

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• “Brief Lives” by Anita Brookner (1990)

  Laurence Petit

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• “Fading into Unborn Photographs”: Narrativizing/Allegorizing the Historical Object in Michael Ondaatje’s Fiction

  Serena Fusco

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• Haruo Ohara and the Haiku

  Rodrigo Fontanari

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Percorsi

• Henry James and Alvin Langdon Coburn: Authorship and Freedom in the Frontispieces to the New York Edition

  Gabriella Bologna

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• “Truth! Truth! Truth!”: Image and Text, Fact and Fiction in Virginia Woolf’s “Orlando”

  Annalisa Federici

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• “The Art of Observation”: Brecht’s “Kriegsfibel” and its Italian Translations

  Salvatore Spampinato

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• The Many Faces of Sylvia Plath: Photographs in Literary Biographies

  Sophie Mayr

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• Antigone’s Look in the Novels and Photographs by Carla Cerati

  Silvia Mazzucchelli

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• Affective Images: The Transformative Power of Photography in Siri Hustvedt’s “The Blindfold”

  Spencer Meeks

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• Crossed Looks between Literature and Photography: Han Kang and Cha Mihye

  Jin Young Hwang

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• Shadows of Memory: Pictures and Stories of Migrants from Richard Mosse to Georges Perec

  Valeria Cammarata

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• Black and White Photographs in Caryl Phillip’s, Andrea Levy’s and Teju Cole’s Literary Texts

  Maria Festa

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• The Photographed Face: The Logic of Power and the Resistance Strategies

  Emanuele Crescimanno

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• Between Language and Images: Introduction to the “Bildlinguistik”

  Silvia Verdiani

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Letture

• Virginia Woolf’s “Imageographie”: On New Paths in the Modernist Text-Image Interconnection

  Teresa Prudente

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• Multilingual Friday

  Lorenzo Devilla, Rémy Porquier

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• “Bothersome Forms, of Course, Were Mechanically Exterminated”: Colonialism, Science, Racial Dysgenia, and Extermination in the Work of H.P. Lovecraft, Intertextually and Beyond

  Lee Matthias Herrmann

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