Marfè, Luigi, Università di Padova
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CoSMo | Comparative Studies in Modernism N. 11 (2017): Écrivains en transit. Translinguisme littéraire et identités culturelles | Scrittori in transito. Translinguismo letterario e identità culturali - Sommario
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CoSMo | Comparative Studies in Modernism N. 12 (2018): Family Matters 2.0: Literary and Cultural Representations of the (American) Family in Transition - Sommario
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CoSMo | Comparative Studies in Modernism N. 12 (2018): Family Matters 2.0: Literary and Cultural Representations of the (American) Family in Transition - Sommario
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CoSMo | Comparative Studies in Modernism N. 13 (2018): Borders of the Visible - I: Intersections between Literature and Photography - Focus | Theories of the Phototext
Geografie dello sguardo. Ghirri, Berger, Celati
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CoSMo | Comparative Studies in Modernism N. 13 (2018): Borders of the Visible - I: Intersections between Literature and Photography - Sommario
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CoSMo | Comparative Studies in Modernism N. 13 (2018): Borders of the Visible - I: Intersections between Literature and Photography - Introduzione
Introduzione
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CoSMo | Comparative Studies in Modernism N. 13 (2018): Borders of the Visible - I: Intersections between Literature and Photography - Sommario
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CoSMo | Comparative Studies in Modernism N. 14 (2019): Borders of the Visible - II: Intersections between Literature and Photography - Sommario
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CoSMo | Comparative Studies in Modernism N. 14 (2019): Borders of the Visible - II: Intersections between Literature and Photography - Introduzione
Introduzione
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CoSMo | Comparative Studies in Modernism N. 14 (2019): Borders of the Visible - II: Intersections between Literature and Photography - Sommario
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CoSMo | Comparative Studies in Modernism N. 15 (2019): Double Issue - Human Transitions, Global Change / Antropocene - Sommario
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CoSMo | Comparative Studies in Modernism N. 15 (2019): Double Issue - Human Transitions, Global Change / Antropocene - Sommario
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CoSMo | Comparative Studies in Modernism N. 18 (2021): Morphology and Historical Sequence - Percorsi | History and Fiction
“Falling Man” and the Intericonicity of 9/11 Pictures
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