V. 13 N. 1 (2024)

DOI: https://doi.org/10.13135/mj.v13n1

Pubblicato: 2024-06-30

Performing Memory Through Dance. Anthropological Perspectives

Introduction

Susanne Franco, Franca Tamisari

7-15
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An autoethnographic spiral: dancing “showerhead”

Elizabeth Waterhouse

17-36
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Dancing with and for others in the field and postcolonial encounters

Franca Tamisari

37-54
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Performing Salome in the Pacific. Three works by Yuki Kihara

Susanne Franco

55-73
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Afterword

Ann R. David

75-79
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Saggi

“Voi non mi conoscete, ci scommetto!” Giro a vuoto (1960) di Laura Betti, tra cabaret letterario e riforma della canzone leggera

Benedetta Zucconi

83-107
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Artisanal inventiveness The dynamics of rewriting in the scripts of northern Italian puppeteers (19th-20th century)

Francesca Di Fazio

109-126
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The sound and visual dramaturgy of Romeo Castellucci

Carlo Fanelli

127-149
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The City as a Score: Dialoguing with the Ex-Ghetto Ebraico of Bologna through Museum Research and Choreographic Practice

Silvia Garzarella, Sarah Marks Mininsohn

151-174
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L’Orfeo di Trisha Brown: il mito tra danza pura ed eloquenza mimica

Aline Nari

175-191
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Re-enactment e Bildung: il caso etico de La reprise di Milo Rau

Andrea Vecchia

193-220
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