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Vol. 13 No. 1 (2024)
Vol. 13 No. 1 (2024)
DOI:
https://doi.org/10.13135/mj.v13n1
Published:
2024-06-30
Performing Memory Through Dance. Anthropological Perspectives
Introduction
Susanne Franco, Franca Tamisari
7-15
PDF (Italiano)
An autoethnographic spiral: dancing “showerhead”
Elizabeth Waterhouse
17-36
PDF (Italiano)
Dancing with and for others in the field and postcolonial encounters
Franca Tamisari
37-54
PDF (Italiano)
Performing Salome in the Pacific. Three works by Yuki Kihara
Susanne Franco
55-73
PDF (Italiano)
Afterword
Ann R. David
75-79
PDF (Italiano)
Essays
“Voi non mi conoscete, ci scommetto!”
Giro a vuoto (1960) di Laura Betti, tra cabaret letterario e riforma della canzone leggera
Benedetta Zucconi
83-107
PDF (Italiano)
The Artisanal inventiveness
The dynamics of rewriting in the scripts of northern Italian puppeteers (19th-20th century)
Francesca Di Fazio
109-126
PDF (Italiano)
The sound and visual dramaturgy of Romeo Castellucci
Carlo Fanelli
127-149
PDF (Italiano)
The City as a Score: Dialoguing with the Ex-Ghetto Ebraico of Bologna through Museum Research and Choreographic Practice
Silvia Garzarella, Sarah Marks Mininsohn
151-174
PDF (Italiano)
L’Orfeo di Trisha Brown: il mito tra danza pura ed eloquenza mimica
Aline Nari
175-191
PDF (Italiano)
Re-enactment e Bildung: il caso etico de La reprise di Milo Rau
Andrea Vecchia
193-220
PDF (Italiano)
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