Vol. 13 No. 1 (2024)

DOI: https://doi.org/10.13135/mj.v13n1

Published: 2024-06-30

Performing Memory Through Dance. Anthropological Perspectives

Introduction

Susanne Franco, Franca Tamisari

7-15
- PDF (Italiano)
An autoethnographic spiral: dancing “showerhead”

Elizabeth Waterhouse

17-36
- PDF (Italiano)
Dancing with and for others in the field and postcolonial encounters

Franca Tamisari

37-54
- PDF (Italiano)
Performing Salome in the Pacific. Three works by Yuki Kihara

Susanne Franco

55-73
- PDF (Italiano)
Afterword

Ann R. David

75-79
- PDF (Italiano)

Essays

“Voi non mi conoscete, ci scommetto!” Giro a vuoto (1960) di Laura Betti, tra cabaret letterario e riforma della canzone leggera

Benedetta Zucconi

83-107
- PDF (Italiano)
The Artisanal inventiveness The dynamics of rewriting in the scripts of northern Italian puppeteers (19th-20th century)

Francesca Di Fazio

109-126
- PDF (Italiano)
The sound and visual dramaturgy of Romeo Castellucci

Carlo Fanelli

127-149
- PDF (Italiano)
The City as a Score: Dialoguing with the Ex-Ghetto Ebraico of Bologna through Museum Research and Choreographic Practice

Silvia Garzarella, Sarah Marks Mininsohn

151-174
- PDF (Italiano)
L’Orfeo di Trisha Brown: il mito tra danza pura ed eloquenza mimica

Aline Nari

175-191
- PDF (Italiano)
Re-enactment e Bildung: il caso etico de La reprise di Milo Rau

Andrea Vecchia

193-220
- PDF (Italiano)