No. 18 (2021): Morphology and Historical Sequence

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• Morphology and Diachrony in Cultural Criticism Introduction

  Roberto Gilodi

  5-12

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Focus

• Morphology and Literature

  Roberto Gilodi

  29-44

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• Dynamic Systems Morphology As Historical Concept

  Federico Vercellone

  45-54

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• Particulars Literature between Morphology and History

  Guido Mazzoni

  55-64

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• Narrating a Life Between Diachrony and Synchrony

  Jens Brockmeier

  65-72

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• The Historicity of Forms and Literary Themes in Francesco Orlando’s Theory

  Emanuele Zinato

  73-80

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Headlines

• The Convolvulus and the Lily A Case-Study in the History of Reception

  Carlo Ginzburg

  15-26

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Percorsi | History and Fiction

• Rube Stories and Paradigmatic Crimes as Narrative Modulators at Thresholds of Cultural Change

  Peter J. Schwartz

  83-94

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• Telling History in the Shape of a Myth The Case of Stalingrad Narratives

  Gianluca Cinelli

  95-108

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• “Falling Man” and the Intericonicity of 9/11 Pictures Visualizing Trauma

  Luigi Marfè

  109-122

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Percorsi | Myths and Diachrony

• Morphology of Myth Towards a Polysystemic Approach

  Salvatore Renna

  125-138

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• Power Relations and Mimetic Desire at the Origin of History The Tale of Gyges and Candaule (Herodotus, Boccaccio and Moravia)

  Chiara Lombardi

  139-152

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• Mythical Diachrony and Historical Memory in Pascal Quignard’s Essays

  Irene Kristeva

  153-164

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• “Ce qui m’intéresse c’est ce qui fait l’œuvre“ Paul Valéry and Literary Interpretation between Form and Diachrony

  Rachele Cinerari

  165-173

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Percorsi | Big Data and the Digital Sphere

• Narrative Transformations of Alexander Pushkin’s “Eugene Onegin“ in Transcultural Digital Sphere

  Anastasiia Drozdova, Vladimir Petrov

  175-186

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• Distant Reading and the Problem of Operationalization Goldilockean Considerations

  Guido Bonino, Paolo Tripodi

  187-196

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• Rethinking Archives in the Era of Big Data

  Maria Giovanna Mancini

  197-214

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Percorsi | Visual and Material Arts

• The Autobiography of the Hand From Artist’s Hand to Divine Hand

  Alessandra Mascia

  215-230

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• Historical Method and Hermeneutic Creativity The Risen Christ in Carpaccio’s “Vision of Saint Augustine”

  Alessandro Rossi

  231-242

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• The Transformable Dress Morphology and Performativity in 20th- and 21st-Century Fashion

  Alessandra Vaccari

  243-256

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• Callidae Iuncturae Patterns of Perception in Visual Poetry

  Pasquale Fameli

  257-266

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Letture

• Silent Shakespeare The Gade/Nielsen’s Film Version of Hamlet (Germany 1921)

  Renato Rizzoli

  269-286

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Reviews

• R. Geybullayeva, C. van Ruymbeke (eds.), “The Interpretation of Nizami’s Cultural Heritage in the Contemporary Period“

  Matteo Sesana

  289-294

  • PDF (Italiano)