No. 8 (2016): Il sublime e le arti

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• Introduction: Sub-limen

  Gianluca Garelli

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Focus

• Subjectivity and Nature: Three Kinds of Romantic Sublime

  Giuseppe Sertoli

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• The Modern Import of Lucretius’s Sublime

  Jonathan Pollock

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• The Sublime in Law

  Pier Giuseppe Monateri

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• The Sublime between Anthropology and Metaphysics in Late Eighteenth-century Germany

  Roberto Gilodi

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• Sublime Subjects: On the Impossibility of an Objective Theory of the Sublime

  Serena Feloj

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• Matematical Sublime: the Feeling of Infinitude at the Border of Kantian Reason

  Ludovica Conti

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• Hysterical Sublime, Tragic Extremism, Posthuman, Radicalism: Some Contemporary Versions

  Massimo Fusillo

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• To Sublimate the Sublime: Kitsch and Modernity

  Andrea Mecacci

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• Beyond Anthropocentrism: Ecological Sublime in Anglo-American Context

  Daniela Fargione

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• The Sublime in the Age of the Avant-garde: Ideal Goals and Artistic Tradition in the American Scene

  Laura Blandino

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• A Sublime Annoyance: Thomas Bernhard and the Problem of Representation

  Alice Gardoncini

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Percorsi

• A New Approach to Italian Migrant Literature: Open Issues

  Giulia Molinarolo

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• The Responsibility of Acting: Reiner Schürmann’s Anti-Humanism

  Alberto Martinengo

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Letture

• The I as Counter-World: Notes on Jean Paul’s Poetic.

  Olaf Breidbach

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