Vol. 25 (2014): Transcultural Perspectives on Tennessee Williams

With a Special Section edited by Alessandro Clericuzio

Published: 2014-09-01

Special Section

• Introduction

  Alessandro Clericuzio

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• A Transcultural Perspective on the Casting of “The Rose Tattoo”

  Giuliana Muscio

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• Tennessee Williams and Luchino Visconti Various Stages of Outrage – and Censorhsip

  Alessandro Clericuzio

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• Complicity Across the Atlantic A Literary Liaison between Two Androgynous Artists

  Christophe Collard, Laura Michiels

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• Orpheus et les autres Repression, Racism, Alienation and Superstition in “Orpheus Descending” and “La Putain Respectueuse”

  Lorenzo Piciarelli

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• Chinese Affection Tennessee Williams’s “Eccentricities of a Nightingale” in Hong Kong

  Vincenzo Bavaro

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• A Transnational Streetcar Named Desire An Omnibus Premiere, Mexico City, 1948

  Djelal Kadir

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A Serialized Forum

• Transnationalism in American History: An International View Introduction

  Ferdinando Fasce, Marco Mariano

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• Transnationalism in American History An Economic Perspective, 1900-2013

  Volker R. Berghahn

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• “Honestly, if you don’t fit in, then you’re probably doing the right thing”

  Donna R. Gabaccia

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• The Culture of Transnationalism

  Greg Robinson

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• Intervening Spaces Transnationalism and the Disintegration of American History

  Axel R. Schäfer

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• Walking and Chewing Gum at the Same Time Nation and Transnational History

  Ian Tyrrell

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Articles

• “This Country, Where Many Things Are strange and Hard to Understand” Booker T. Washington in Sicily

  Michel Huysseune

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• Denied Citizenry and the Postnational Imaginary Arab-American and Muslim-American Literary Responses to 9/11

  Andrea Carosso

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Original Work

• “Though years have flown by” A Letter from Nella Larsen to Carl Van Vechten

  M. Giulia Fabi, Jacquelyn Y. McLendon

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• A Letter to Carl Van Vechten

  Nella Larsen

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Notes on Contributors

• Notes on Contributors

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Copyright Page

• Copyright page no. 25

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