Iconomania e iconomana. Contributi filosofici alla veicolazione delle immagini nel paesaggio

Auteurs

  • Enrico Orsenigo Università di Modena e Reggio Emilia
  • Maria Valentini Université de Padoue
  • Michela Bongiorno Université de Turin

DOI :

https://doi.org/10.13135/2385-1945/11626

Résumé

This article sets out to examine the contemporary landscape through the dichotomy of iconomania and iconomana, accompanied by an introductory visual lexicon that includes the definitions of the five keywords forming the substrate of the entire work. Iconomania and iconomana, along with the ways in which these trends induce alterations in the visibility and enunciation curves, resulting in qualitative variations in the landscape, serve as the lens through which to interpret the territory and its milieu from a macro perspective. Alongside this macro perspective, a micro scale is introduced, allowing for the analysis of specific spaces in the city of Venice by juxtaposing Guy Debord’s theories on spectacle with Emanuele Severino’s theoretical reflections on technology and architecture.

Bibliographies de l'auteur

Enrico Orsenigo, Università di Modena e Reggio Emilia

Psicologo e dottorando in Learning Sciences and Digital Technologies all’Università di Modena e Reggio Emilia.

Maria Valentini, Université de Padoue

Pedagogista e dottoranda in Learning Sciences and Digital Technologies all’Università di Padova.

Michela Bongiorno, Université de Turin

Pianificatrice, collaboratrice di ricerca presso Indire e dottoranda Learning Sciences and Digital Technologies all’Università di Torino.

Téléchargements

Publiée

2024-10-15

Comment citer

Orsenigo, E., Valentini, M., & Bongiorno, M. (2024). Iconomania e iconomana. Contributi filosofici alla veicolazione delle immagini nel paesaggio. Philosophy Kitchen - Revue De Philosophie Contemporaine, (21), 155–169. https://doi.org/10.13135/2385-1945/11626

Numéro

Rubrique

section 3 - theories = practices