Reinventing and Relocating Opera

Digital Creativity and Opera Heritage in the Intermedia Project by Davide Livermore and D-Wok

Autori

DOI:

https://doi.org/10.13135/2389-6086/10736

Abstract

From the hybridization of imaginaries to stage reworking through digital technologies, the reinvention path of operatic heritage carried out by Davide Livermore’s direction and D-Wok’s video and virtual design appears today as an ecosystem project requiring the overcoming of boundaries of theatrical space itself. From Ciro in Babilonia at Rossini Opera Festival (2012) to Don Pasquale at La Scala (2018); from Attila (2018) to Macbeth (2021), again at La Scala; from Aida at Sidney Opera House (2018) to Aida at Teatro dell’ Opera di Roma (2023), the project emerging is one of a progressive experimentation of intermedia expansion of Opera.

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Biografie autore

Giulia Anastasia Carluccio, University of Turin

Giulia Anastasia Carluccio is Deputy Rector of the University of Turin, and Full Professor of Cinema, Photography, Television and Audiovisual Media at the Department of Humanities.

Stefania Rimini, Università di Catania

Stefania Rimini is Full Professor of Cinema, Photography, Television and Audiovisual Media at the Department of Humanities of University of Catania.

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Pubblicato

2024-12-19

Come citare

Carluccio, G. A., & Rimini, S. (2024). Reinventing and Relocating Opera: Digital Creativity and Opera Heritage in the Intermedia Project by Davide Livermore and D-Wok. Mimesis Journal, 13(2), 267–275. https://doi.org/10.13135/2389-6086/10736

Fascicolo

V. 13 N. 2 (2024): DRHA

Sezione

The Digital Performance of Cultural Heritage

Licenza

Copyright (c) 2024 giulia anastasia carluccio, stefania rimini

Creative Commons License

Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.