Reinventing and Relocating Opera

Digital Creativity and Opera Heritage in the Intermedia Project by Davide Livermore and D-Wok

Authors

DOI:

https://doi.org/10.13135/2389-6086/10736

Abstract

From the hybridization of imaginaries to stage reworking through digital technologies, the reinvention path of operatic heritage carried out by Davide Livermore’s direction and D-Wok’s video and virtual design appears today as an ecosystem project requiring the overcoming of boundaries of theatrical space itself. From Ciro in Babilonia at Rossini Opera Festival (2012) to Don Pasquale at La Scala (2018); from Attila (2018) to Macbeth (2021), again at La Scala; from Aida at Sidney Opera House (2018) to Aida at Teatro dell’ Opera di Roma (2023), the project emerging is one of a progressive experimentation of intermedia expansion of Opera.

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Author Biographies

Giulia Anastasia Carluccio, Università degli Studi di Torino

Giulia Anastasia Carluccio is Deputy Rector of the University of Turin, and Full Professor of Cinema, Photography, Television and Audiovisual Media at the Department of Humanities.

Stefania Rimini, University of Catania

Stefania Rimini is Full Professor of Cinema, Photography, Television and Audiovisual Media at the Department of Humanities of University of Catania.

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Published

2024-12-19

How to Cite

Carluccio, G. A., & Rimini, S. (2024). Reinventing and Relocating Opera: Digital Creativity and Opera Heritage in the Intermedia Project by Davide Livermore and D-Wok. Mimesis Journal, 13(2), 267–275. https://doi.org/10.13135/2389-6086/10736

Issue

Vol. 13 No. 2 (2024): DRHA

Section

The Digital Performance of Cultural Heritage

License

Copyright (c) 2024 giulia anastasia carluccio, stefania rimini

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.