Power and Poetry
Kenneth Patchen’s Critique of Classicism
DOI:
https://doi.org/10.13135/1592-4467/9045Keywords:
Kenneth Patchen, romanitas, fascismAbstract
The essay analyses the intellectual involvement of Kenneth Patchen with the culture of power as promoted by fascism in Italy in the 1930s. Through a discussion of poems from Cloth of the Tempest (1943) it shows how Patchen offered a deformed and parodic version of the cult of romanitas based upon a manipulation of Italy's past classical tradition, and how he proceeded towards a radical innovation in representation.
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