La stratégie de Genesis. Sur la productivité de l’itération artistique

Auteurs

  • Alice Iacobone Università degli Studi di Genova

DOI :

https://doi.org/10.13135/2385-1945/5877

Résumé

The paper aims at developing a theoretical outlook on Eduardo Kac’s Genesis, a bio-artistic operation of “perversion” of the biblical passage that establishes men’s dominion upon other living beings. The case study will be addressed through the analysis of the idea of productive iteration. Following Derrida’s reflections on the general iterability of marks and Butler’s investigation of the subversive potential of repetition, it will be shown how iteration can bring novelty into being – where such novelty occurs in a constantly renegotiated balance between chance and constraint. Finally, it will be claimed that this iterative dynamic can be regarded as a strategy of subjectivity production. These subjects, however, will be conceived in terms of sympoietic entities that are constitutively entangled with one another in relationships of mutual responsibility.

Biographie de l'auteur

Alice Iacobone, Università degli Studi di Genova

PhD student at the Philosophy Department of University of Genoa (FINO Consortium) with a project concerning performativity in sculpture. Her research is also focused on dynamic ontologies of art and philosophical morphology, with an interest in animal studies and theoretical biology.

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Publiée

2021-03-15

Comment citer

Iacobone, A. (2021). La stratégie de Genesis. Sur la productivité de l’itération artistique. Philosophy Kitchen - Revue De Philosophie Contemporaine, (14), 135–147. https://doi.org/10.13135/2385-1945/5877

Numéro

Rubrique

II. Toucher au code : processus et alea