The Table and The Map. Paradigms For a Media Metaphorology of Kant’s Cartographic Imagination

Authors

  • Tommaso Morawski Bauhaus-Universität Weimar

DOI:

https://doi.org/10.13135/2385-1945/7191

Abstract

Immanuel Kant’s thought is a central historical and theoretical reference in Hans Blumenberg’s metaphorological project. This is demonstrated by the fact that in the Paradigms the author outlines the concept of absolute metaphor by explicitly referring to §59 of the Critique of the Power of Judgment and recognizing in the Kantian symbol a model for his own metaphorics. However, Kant’s name also appears in the chapter on the metaphor of the “terra incognita” that not only did he theorize the presence of symbolic hypotyposis in our language [...] but also made extensive use of metaphors linked to “determinate historical experiences”. In particular: geographical metaphors. In my essay, I would like to start from the analysis of Kant’s geographical metaphors in order to try to rethink Blumenberg’s archaeological method as an archaeology of media that grounds the study of metaphors in the materiality of communication and the combination of tools, agents and media.

Author Biography

Tommaso Morawski, Bauhaus-Universität Weimar

Tommaso Morawski (Rome 1987) studied philosophy between Berlin and Rome, where in 2017 he obtained a PhD in Philosophy and History of Philosophy with a thesis on “The question of spatial order in Kant's thought. Logic, Aesthetics, Orientation”. Previously (2018-2020) a fellow at the Bibliotheca Hertziana - Max Planck Institute for Art History, he is currently a postdoctoral fellow at the DFG-Graduiertenkolleg “Medienanthropologie” at the Bauhaus-Universität Weimar.

Published

2022-10-15

How to Cite

Morawski, T. (2022). The Table and The Map. Paradigms For a Media Metaphorology of Kant’s Cartographic Imagination. Philosophy Kitchen - Journal of Contemporary Philosophy, (17), 137–152. https://doi.org/10.13135/2385-1945/7191