The Dramaturgies of Volumetric Capture

Autori

DOI:

https://doi.org/10.13135/2389-6086/9995

Abstract

The article explores the potential of emerging volumetric and capturing technologies in reshaping the documentation, archiving, and accessibility of performance work. It discusses how these technologies can impact the relationship between live and mediated experiences, and their possible effects on dramaturgical strategies in ephemeral, process-driven performance practices. It also acknowledges the challenges in documenting live performances and the intrinsic gap between the source and its document, amplified by the digital medium. The article emphasizes the ephemerality and inevitable obsolescence of the archive.

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Biografie autore

Lee Miller, Falmouth University

Lee Miller is Professor of Performance and the lead for the Centre for Blended Realities at Falmouth University. As a practitioner-scholar, Miller’s research lies in the space between bodies in performance, with a specific focus on the affective gap between audience and performer.

Joanne 'Bob' Whalley, University of the Arts, London

Joanne “Bob” Whalley is Director of doctoral training and development at University of the Arts, London. She is also an artist, dramaturg, and acupuncturist, whose focuses are radical kinship and politics of care.

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Pubblicato

2024-12-19

Come citare

Miller, L., & Whalley, J. ’Bob’. (2024). The Dramaturgies of Volumetric Capture. Mimesis Journal, 13(2), 293–304. https://doi.org/10.13135/2389-6086/9995

Fascicolo

V. 13 N. 2 (2024): DRHA

Sezione

The Digital Performance of Cultural Heritage

Licenza

Copyright (c) 2024 Lee Miller, Bob

Creative Commons License

Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.