The Digital Upgrade of Opera Theatre

Intermedial Dramaturgies and Technological Visualities in Fanny & Alexander’s Spectacles

Autori

  • Laura Pernice University of Catania

DOI:

https://doi.org/10.13135/2389-6086/9922

Parole chiave:

opera theatre, opera studies, intermediality, digital technologies, fanny & alexander

Abstract

Always bound to forms of intermedial dramaturgy, the company Fanny & Alexander (Luigi De Angelis and Chiara Lagani) since 2015 has started a new directorial path in the field of opera. By applying a methodological approach that catches the intermedial dimension of stagings according to the epistemological premises of digital performance and the lines research of Opera Studies, the article explores the question of their scenic and visual innovations through four specific case analyses: Il flauto magico (2015), Orfeo nel metrò (2019), L’isola disabitata (2021), Il ritorno di Ulisse in patria (2022). 

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Biografia autore

Laura Pernice, University of Catania

Laura Pernice is researcher at the University of Catania, where she teaches “Performing Arts and New Media” and “Forms of Multimedia Performance”. From 2015 she is member of the editorial board of the journal «Arabeschi».

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Pubblicato

2024-12-19

Come citare

Pernice, L. (2024). The Digital Upgrade of Opera Theatre: Intermedial Dramaturgies and Technological Visualities in Fanny & Alexander’s Spectacles . Mimesis Journal, 13(2), 277–291. https://doi.org/10.13135/2389-6086/9922

Fascicolo

V. 13 N. 2 (2024): DRHA

Sezione

The Digital Performance of Cultural Heritage

Licenza

Copyright (c) 2024 Laura Pernice

Creative Commons License

Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.