Introduzione

Autori

DOI:

https://doi.org/10.13135/2389-6086/11296

Abstract

Introduzione

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Biografie autore

Antonio Pizzo, Università degli Studi di Torino

Antonio Pizzo is a Full Professor of Performance Studies at the University of Turin, where he serves as the Head of the DAMS (Discipline delle Arti, della Musica e dello Spettacolo) degree program at the School of Humanities. He is also the Principal Investigator for the PNRR UniTo WP3/WP5, Spoke 2, under the PE5 CHANGES project.

Gabriella Giannachi, University of Exeter

Gabriella Giannachi is Professor in Performance and New Media at the University of Exeter, UK. She is an expert in performance, virtual and mixed reality, and AI documentation. She has a history of collaborating with museums such as Tate, LI-MA, Science Museum and the Natural History Museum. She has published several books including: Performing Mixed Reality, co-authored with Steve Benford (2011); Archaeologies of Presence, co-edited with Michael Shanks and Nick Kaye (2012); Archive Everything (2016 and, in Italian translation, 2021); Histories of Performance Documentation, co-edited with Jonah Westerman (2017); Moving Spaces: Enacting Dance, Performance and the Digital in the Museum, co-edited with Susanne Franco (2021); Documentation as Art, coedited with Annet Dekker (2022) and Technologies of the Self-Portrait (2022 and in Italian translation, 2023).   

Letizia Gioia Monda, Università degli Studi di Torino

Letizia Gioia Monda is a  Research Fellow in Performing Arts at the University of Turin. From 2017 to 2023, she was an adjunct professor at Sapienza University of Rome, where she obtained a PhD in Digital Technologies and Methodologies for Research in Performing Arts (2014). She has been involved in international projects such as the multidisciplinary project Motion Bank by William Forsythe (Frankfurt, 2010-2014) and directed by Scott deLahunta, and the project Clash! When Classic and Contemporary Dance Collide and New Forms Emerge (Creative Europe Program – EU), for which she coordinated the development of the Clash! eBook and directed the digital event Clash! International Festival. As a member of the équipe directed by Vito Di Bernardi at the Sapienza University of Rome, from 2019 to 2022 she curated the screendance archive of Il Coreografo Elettronico Festival stored at Museo Madre of Naples. She has published several contributions on subjects such as choreographic counterpoint, the concept of score in the dance field, digital choreography, screendance, and choreographic architectures. In January 2022, she achieved the National Scientific Qualification as Associate Professor in the Italian higher education system for the Academic Recruitment Field 10/PEMM-01 – Performing arts, music, cinema and media.

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Pubblicato

2024-12-19

Come citare

Pizzo, A., Giannachi, G., & Monda, L. G. (2024). Introduzione. Mimesis Journal, 13(2), 9–10. https://doi.org/10.13135/2389-6086/11296

Fascicolo

V. 13 N. 2 (2024): DRHA

Sezione

Editoriale

Licenza

Copyright (c) 2024 Antonio Pizzo; Gabriella Giannachi, Letizia Gioia Monda

Creative Commons License

Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.