Between Scenarios

Traces of Customs in Tullio Victorino’s Paintings

Autori

  • Elaine Karla de Almeida Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos de Belas-Artes (CIEBA), Largo da Academia Nacional de Belas-Artes, 1249-058, Lisboa/Portugal.

DOI:

https://doi.org/10.13135/2389-6086/10034

Parole chiave:

Tullio Victorino; Digital Media; Cultural Heritage; memory; tradition.

Abstract

This article provides a summary of the investigations about Portuguese painter Tullio Victorino. The research delves into the study of the artist's life and inventories of his creative output—characters and scenarios portrayed throughout his artistic journey. Digital resources are employed to facilitate the recording and systematization of data, emphasizing the preservation and communication of this heritage to develop a digital collection about the artist's life and work.

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Biografia autore

Elaine Karla de Almeida, Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos de Belas-Artes (CIEBA), Largo da Academia Nacional de Belas-Artes, 1249-058, Lisboa/Portugal.

Elaine Karla de Almeida is a Ph.D. student at the Faculty of Fine Arts of the University of Lisbon (FBAUL-PT);  She is actually working as a collaborating researcher at the Center for Research and Studies in Fine Arts (CIEBA).

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Pubblicato

2024-12-19

Come citare

Almeida, E. K. de. (2024). Between Scenarios: Traces of Customs in Tullio Victorino’s Paintings. Mimesis Journal, 13(2), 185–198. https://doi.org/10.13135/2389-6086/10034

Fascicolo

Sezione

The Documentation, Conservation, and Sharing of Cultural Heritage