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Vol. 9 No. 2 (2020)
Vol. 9 No. 2 (2020)
Published:
2020-12-08
Full Issue
PDF (Italiano)
Editorial
If all the theatres closed
Alessandro Pontremoli
5-6
PDF (Italiano)
Essays
Musica intuitiva e libera improvvisazione ai Corsi estivi di Darmstadt 1969-1970
Pietro Cavallotti
7-24
PDF (Italiano)
"Waiting for Godot" and the theatrical cosmogony of Carlo Quartucci
Maria Grazia Berlangieri
25-43
PDF (Italiano)
Per una "traditio" dell’opera di Franco Scaldati
Totò e Vicé, Assassina e Ombre folli secondo Randisi-Vetrano
Domenico Giuseppe Lipani
45-62
PDF (Italiano)
'A Sea of Words' between "Assoli" and "Udunda Indina"
Leo and Perla's 'sick' multilingualism during the capital's return phase
Matteo Tamborrino
63-90
PDF (Italiano)
Against gender hegemony
Voguing as an endurance dance
Andrea Zardi
91-110
PDF (Italiano)
Fatal eggs. I
The Russian neo-Soviet stage-drama system in the formative years (1924-1928)
Massimo Lenzi
111-128
PDF (Italiano)
Points of view
Exploring Shakespeare's romantic comedy at the Silvano Toti Globe Theatre in Rome
conversation with Loredana Scaramella (part one)
Maddalena Pennacchia, Fabrizio
129-144
PDF (Italiano)
Tango Intangible Cultural Heritage
Interview with Pablo Moyano and Roberta Beccarini
Elisa Anzelotti
149-152
PDF (Italiano)
Readings and Visions
Inconscio mimetico e “attori signori”
Sul progetto di ricerca HOM: Homo Mimeticus
Fabrizio Deriu
153-162
PDF (Italiano)
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