Vol. 9 No. 2 (2020)

View Vol. 9 No. 2 (2020)

Published: 2020-12-08

Full Issue

PDF (Italiano)

Editorial

If all the theatres closed

Alessandro Pontremoli

5-6
- PDF (Italiano)

Essays

Musica intuitiva e libera improvvisazione ai Corsi estivi di Darmstadt 1969-1970

Pietro Cavallotti

7-24
- PDF (Italiano)
"Waiting for Godot" and the theatrical cosmogony of Carlo Quartucci

Maria Grazia Berlangieri

25-43
- PDF (Italiano)
Per una "traditio" dell’opera di Franco Scaldati Totò e Vicé, Assassina e Ombre folli secondo Randisi-Vetrano

Domenico Giuseppe Lipani

45-62
- PDF (Italiano)
'A Sea of Words' between "Assoli" and "Udunda Indina" Leo and Perla's 'sick' multilingualism during the capital's return phase

Matteo Tamborrino

63-90
- PDF (Italiano)
Against gender hegemony Voguing as an endurance dance

Andrea Zardi

91-110
- PDF (Italiano)
Fatal eggs. I The Russian neo-Soviet stage-drama system in the formative years (1924-1928)

Massimo Lenzi

111-128
- PDF (Italiano)

Points of view

Exploring Shakespeare's romantic comedy at the Silvano Toti Globe Theatre in Rome conversation with Loredana Scaramella (part one)

Maddalena Pennacchia, Fabrizio

129-144
- PDF (Italiano)
Tango Intangible Cultural Heritage Interview with Pablo Moyano and Roberta Beccarini

Elisa Anzelotti

149-152
- PDF (Italiano)

Readings and Visions

Inconscio mimetico e “attori signori” Sul progetto di ricerca HOM: Homo Mimeticus

Fabrizio Deriu

153-162
- PDF (Italiano)