Digital Creativity

A Survey for the Project Invisibilia

Authors

DOI:

https://doi.org/10.4000/mimesis.688

Abstract

The paper presents one of the task of project Invisibilia Project and confirms that the term “digital creativity” represents a disperse notion in which a number of different definition developed along last decades are merged. The dispersion of the concept emerge from the bibliometric analysis that has used a set of seminal essays and articles and has created a citation database. Nevertheless the analysis reveals that the discussion about the notion is still gemmed out of a core of pivotal figures in the field of structuralism, mass-mediology and new media. This seems to lead to the conclusion that the digital creativity as a field is less influenced by computer science scholars and still lack of a specific canon.

Downloads

Download data is not yet available.

Author Biographies

Antonio Pizzo, University of Turin

Since 2001, is Associate Professor at University of Turin where he teaches Theatre and Multimedia, and Dramaturgy. He is the founder and a project designer for www.officinesintetiche.it, where he has been collaborating with different artists. In the last ten years his research has been focused on performance, drama and technology. He is one of the founder of CIRMA (Centro per la Ricerca sul Multimediale e l’Audiovisivo – www.cirma.unito.it) where he contributed to develop a computational model of drama (i.e. the Drammar Ontology) and a study on synthetic character as virtual museum guide (http://dramatour.di.unito.it). On this topic he wrote Teatro e mondo digitale (Venezia, Marsilio, 2003), Neodrammatico digitale: Scena multimediale e racconto interattivo (Torino, Accademia, 2013); he has published numerous paper in journals and proceedings in Multimedia, Virtual Storytelling, and Artificial Intelligence. Beside, grounded on his Phd dissertation on vernacular actors in Italy, he has develop a specific interest for the cultural implications of Neapolitan Theatre, publishing a number of papers and essays. His book Scarpetta e Sciosciammocca. Nascita di un buffo (Roma, Bulzoni, 2009) is about the pivotal figure of Eduardo Scarpetta and the born of the comic character Don Felice Sciosciammocca. For a detailed list of publication see: www.cirma.unito.it/pizzo

Andrea Valle, University of Turin

Researcher at the Department of Humanities, University of Turin. His main research interests are with semiotics, multimedia, sound and music computing. He is a founding member of CIRMA.

Downloads

Published

2014-12-20

How to Cite

Pizzo, A., & Valle, A. (2014). Digital Creativity: A Survey for the Project Invisibilia. Mimesis Journal, 3(2), 53–69. https://doi.org/10.4000/mimesis.688

Issue

Vol. 3 No. 2 (2014)

Section

Essays