No. 22 (2023): 1922/2022: Total Modernism - Vol. 1

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  3-4

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  1-197

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• Total Modernism Introduction

  Andrea Brondino, John Greaney

  5-12

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Headlines

• Modernism and Totality

  Jean-Michel Rabaté

  15-26

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• Rites of Spring 1922-1822

  Peter Nicholls

  27-38

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Focus

• Noluntas sciendi, voluntas nesciendi Anthropology of the Modernist Character

  Raffaele Donnarumma

  41-51

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• Debates about the Death Drive Nosferatu at the Zoo

  Thomas Macho

  53-65

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• Seeking the Universal amid Ruins Walter Benjamin’s 1922 “Angelus Novus” Journal Announcement 100 Years Later

  Joseph Cermatori

  67-77

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• Form, Gemeinschaft, Kultur The Conservative Revolution as a Right-wing Way to Modernism

  Mimmo Cangiano

  79-88

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• 1922-2022: Memory, the Media, and Present-day Modernism

  Ilaria Natali

  89-100

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• T. S. Eliot and the Return of the Soldier Re-gendering Nostos in “The Waste Land”

  Wei Zhou

  101-114

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• Romantic Irony as a Source of Value Judgment in Modernism and New Criticism

  Andrea Brondino

  115-126

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• Sorting Debris Another Look at the Modernist Urbanism Experiment

  Robin V. Hueppe

  127-134

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• The Work and the Worker according to Ernst Jünger and Simone Weil

  Antonio Dall'Igna

  135-146

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• Failed Abstractionism? Carl Einstein and Clement Greenberg Re-read Kandinsky

  Camilla Balbi, Marcello Sessa

  147-158

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Percorsi

• Total Timescaping The Modernist Moment in Pynchon’s “Against the Day”

  Richard Hardack

  161-174

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• Producing and Reproducing the Media László Moholy-Nagy’s Double-edged Modernism

  Pasquale Fameli

  175-182

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• A Bard in the Trenches David Jones as an Artist of “The Waste Land”

  Leonardo Piana

  183-193

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