No. 20 (2022): Dante and Us: The Reception of Dante in Modern AngloAmerican Culture

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  3-4

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  1-260

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• Giving Dante a Voice Introduction

  Dennis Looney

  5-15

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Focus

• Dante, British Epic and Women’s Education Willian Hayley’s Eighteenth-Century Appropriation of the “Commedia”

  Cosetta Gaudenzi

  19-38

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• Traces of Dante in Nineteenth Century English Poetry An Overview

  Biancamaria Rizzardi

  39-51

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• Dante, Dante Gabriel Rossetti, and Their Verbal/Visual Personae

  Paola Spinozzi

  53-66

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• A Turning Point Walter Pater’s Dante

  Giovanni Bassi

  67-94

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• “I Am the Means and Not the End” Dante and E.M. Forster

  Raffaella Antinucci

  95-112

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• “What Dante Means to Me” Dante and Eliot among American Modernists

  Massimo Bacigalupo

  113-121

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• A Divine Graphic Comedy Notes on the History of Dante’s Adaptations in English

  Elisa Fortunato

  123-132

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• Delving ‘Underground’ Dante, Heaney and Their Companions

  Marco Fazzini

  133-145

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• Like a Medieval Journeyman with His Poem in His Hand Dante’s Presence in Charles Wright’s Poetry

  Antonella Francini

  147-164

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• John Kinsella A Dantescan Echological Poetry

  Erminia Ardissino

  165-179

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• From Cocito to Avalon via Shaft Lake Collapsing Story Frames in Alice Munro’s “Pictures of the Ice”

  Héliane Ventura

  181-194

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• Mary Jo Bang’s “Inferno” A Missile for Capturing Dante’s Future(s)

  Daniela Fargione

  195-210

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Percorsi

• Dorothy L. Sayers and Feminist Archival Historiography in Dante Studies (Re)discovering Female Authorship in Fin de Siècle Britain

  Federica Coluzzi

  213-229

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• Vagliami il lungo studio e il grande amore Valentine Giamatti’s Collection at Mount Holyoke College

  Ombretta Frau

  231-248

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Letture

• Dante e le narrazioni

  Gian Mario Anselmi

  251-257

  • PDF (Italiano)