Immagini e morte
Il tempo della fotografia
DOI:
https://doi.org/10.13135/2036-542X/8122Parole chiave:
Death, photography, Double, Cultural studies, CultureAbstract
In the present contribution we analyze the photographical medium from the starting point of his relationship with death. Through a close examination of classic texts and authors (Barthes, Sontag, Ariès, Belting) who have analyzed the relationship between representation, image and death, we propose a theory of the thanatological value of representation through an aesthetic–artistic medium.
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Pubblicato
2016-06-12
Fascicolo
Sezione
Monografica