Post scriptum: «Non ho mai saputo raccontare una storia».

Posologie dei generi tra letteratura e filosofia.

Abstract

The halting steps of one of his confessions will lead us to Jacques Derrida’s earliest interests, that is whatliterature welcomes better than philosophy. From the beginning of his research, indeed, it is well known that Derrida has set his work as a question sur l'écriture, an “interrogation” conducted on the border between literature and philosophy, finding compelling reasons in atypical places, like among the bandages of a deserted tomb, where the “game” of writing becomes also a question de resposonsabilité. It is still worth revisiting those vie rupte of deconstruction where Derrida lets the writing precipitate in the prism of the text. Here, in the meantime a story is told, beyond the law of the genre, beyond literature and philosophy, traces of another story are also left, asking, like an unexpected guest (or ghost), to be included in the philosophical-Western’s heritage, made up of Postcardsthat eerily mix the history of address and delivery by opening the possibility of a disaster.