The Case of Jackie the Baboon

From Performance Theory to Animal Performance Studies

Authors

DOI:

https://doi.org/10.4000/mimesis.1754

Abstract

The performance Jackie the Baboon of the British company Brunskill & Grimes tells the true story of the baboon Jackie who was forced to participate in the First World War. The show is part of a project of the University of Surrey, coordinated by Laura Cull, philosopher of the performance, which combines philosophical reflection and performances, related to theory as well as the practice of Animal Performance Studies. This research path takes place in a field of studies not much frequented in Italy, that of Animal Performance Studies. In this context, performance is understood as a method of research aimed at finding answers to the animal question, through the same performance practice and to explore new relational modalities among different species. This field of research had already been opened by Richard Schechner who in the theory of performance included the activities of the primates in the broad spectrum of performing activities.

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Author Biography

Laura Budriesi, Alma Mater Studiorum – University of Bologna

Laura Budriesi (Phd) è ricercatore dal 2017 presso il Dipartimento delle Arti dell'Università di Bologna dove insegna “Scenografia: elementi, teoria, storia”. Gli interessi di ricerca intrecciano teatro e antropologia e sono rivolti in particolare agli aspetti performativi dei rituali. Ha condotto ricerche in Mali e in Etiopia sui culti di possessione relativamente ai quali ha curato pubblicazioni e realizzato documentari etnografici. È autrice di due volumi: Michel Leiris. Il teatro della possessione e Michel Leiris sui palcoscenici della possessione. Etiopia e Haiti 1930-1983 (Patron 2017). Altro tema di ricerca è l’animalità sulla scena contemporanea, nella corniche degli Animal (Performance) Studies.

Published

2019-12-07

How to Cite

Budriesi, L. (2019). The Case of Jackie the Baboon: From Performance Theory to Animal Performance Studies. Mimesis Journal, 8(2), 31–53. https://doi.org/10.4000/mimesis.1754

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Essays