La stringa rituale: una teoria delle varianti ritualistiche attraverso l’analisi di un sacrificio indiano antico

Authors

  • Pietro Chierichetti

DOI:

https://doi.org/10.13135/1825-263X/732

Abstract

Ritual is a creative and artistic action – this is the central idea of this paper – and the proof of this suggestion is that every ritual could attest several variants. Through a deep survey on the aśvamedha in the Hindū textual sources, the author tries to demonstrate that in the religious history of India various aśvamedhas ex-ist. The ritual dynamics goes through the creation of a ritual string – a sequence of acts – the performers can transform and modify creating new strings. The analysis of the aśvamedha reveals a lot of problematic elements proving different ways to celebrate the same rite. The ritual string is the concept through which the author tries to understand the mechanism of ritual attitude: like grammar, the ritual has a cybernetic dimension and the ritual variability could be the new frontier of the researches about this.

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Author Biography

Pietro Chierichetti

Pietro CHIERICHETTI (1978) è laureato in Lingua e Letteratura sanscrita presso l’Università degli Studi di Torino e ha completato nel 2011 il Dottorato in Studi Euro-asiatici – Indirizzo indologico e tibetologico. Ha tradotto per la prima volta in italiano dall’originale sanscrito l’Abhinayadarpaṇa di Nandikeśvara, un fonda-mentale testo sulla danza e sul teatro in India. Ha pubblicato vari articoli sulle pratiche ritualistiche dell’India antica e ha tenuto numerose conferenze sull’In-dia e sulla cultura religiosa hindū. Le sue ricerche sono rivolte alle dinamiche religiose di epoca vedica e brahmanica, in particolare alla scienza del rituale e alle nuove prospettive di ricerca della Ritual Grammar. La sua indagine si svolge soprattutto attraverso la letteratura degli śrautasūtra.

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Gli autori che pubblicano su Kervan accettano le seguenti condizioni:

  1. Gli autori mantengono i diritti sulla loro opera e cedono alla rivista il diritto di prima pubblicazione dell'opera, contemporaneamente licenziata sotto una Licenza Creative Commons - Attribuzione che permette ad altri di condividere l'opera indicando la paternità intellettuale e la prima pubblicazione su questa rivista.
  2. Gli autori possono aderire ad altri accordi di licenza non esclusiva per la distribuzione della versione dell'opera pubblicata (es. depositarla in un archivio istituzionale o pubblicarla in una monografia), a patto di indicare che la prima pubblicazione è avvenuta su questa rivista.