Understanding political violence in culture: Critical reflections on trauma theory and contemporary Arabic literature

Authors

  • Stephan Milich University of Cologne

DOI:

https://doi.org/10.13135/1825-263X/12498

Abstract

This article deals with the question of adequate approaches to the study of trauma representations in contemporary Arabic literature.  After a critique and further development of trauma theories and concepts that are still frequently used today (Caruth, Alexander, PTSD), the article develops its own analytical framework that focuses on the political and ideological implications of writing about trauma. The aim is to better grasp the interactions between the individual, social and cultural spheres of trauma dynamics and situations. On the basis of an ethics of reading, the article argues for a (re)contextualizing approach to literary texts in which the political dimensions are captured as comprehensively as possible without reducing literature to a socio-political text.

Downloads

Download data is not yet available.

Author Biography

Stephan Milich, University of Cologne

Stephan Milich is a senior lecturer in Arabic and Islamic Studies at 
the Institute of Languages and Cultures of the Islamicate World 
(University of Cologne). His research interests include modern Arabic literature, especially writings on prison, trauma and exile, decolonization in Arab-European contexts, critical heritage studies, and psychology/psychoanalysis in Arab societies. He has published widely on contemporary Arabic poetry and fiction, and is co-editor of three volumes: Conflicting Narratives: War, trauma and memory in Modern Iraqi Culture (2012), Representations and Visions of Homeland in Arabic Literature (2016), and Creative Resistance: Political Humor in the Arab Uprisings (2020), as well as a special issue on "Trauma: Social Realities and Cultural Texts." 

Stephan can be contacted at: smilich@uni-koeln.de

Downloads

Published

2025-09-29

Issue

Section

Literary experimentalism, critical thinking, and geography of the imaginary