Tensions of discourse in Muḏakkirāt miṯliyya by Fāṭima al-Zahrā’ Amzkār: A sensational example of gendered representation through fictional autobiography

Authors

  • Daniela Potenza University of Messina

DOI:

https://doi.org/10.13135/1825-263X/12451

Abstract

Fāṭima al-Zahrā’ Amzkār’s debut novel, Muḏakkirāt miṯliyya (‘Memoirs of a Lesbian,’ 2022), caused a scandal in Morocco when it was banned from Rabat’s 2022 International Book Fair. This article first examines the expectations generated by the novel’s title, specifically within the context of the Moroccan women’s muḏakkirāt genre, and explores the nuances it assumes when combined with the term miṯliyya. Next, using a cognitive narratology approach informed by trauma studies, the article demonstrates how the construction of memory and identity in this fictional autobiography is both realistic and suspenseful, thereby eliciting the reader empathy for the narrator. Finally, it identifies a discourse of shame and pride embedded within the novel, situating it in the Moroccan socio-cultural context. This discourse helps explain the novel’s controversial nature and justifies its existence (despite its ban in Morocco), highlighting the socially transformative power of openly embracing what is typically stigmatized as shameful, despite prevailing gendered norms. The conclusion synthesizes the perspectives from the three sections to assess whether the author’s engagement with this gendered representation can be understood within the tension between distinct poles (writer/narrator, fiction/reality, global/local, past/future).

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Author Biography

Daniela Potenza, University of Messina

Daniela Potenza is a researcher in Arabic language and literature at the University of Messina. She investigates modern and contemporary Arabic theatre, modern Egyptian literature and popular Arabic literature, with a focus in intertextuality and in the analysis of artistic production as an expression of alternative or critical visions in comparison to dominant narratives. She holds a PhD in Arabic Literature from INALCO (Paris) and the University of Naples “L’Orientale.” She is affiliated with the Centre for Middle Eastern and Mediterranean Studies at INALCO in Paris (CERMOM). She has written The Kaleidoscope Effect. Rewriting in Alfred Farag’s Plays as a Multifunctional Strategy for a Multi-layered Creation (Rome: IPOCAN: 2020).

Daniela can be contacted at: daniela.potenza@unime.it

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Published

2025-09-29

Issue

Section

Memory, identity, and the narration of suffering