Portrait of the Artist as an Old Man: Nabokov's Evolving Body Paradigm
DOI:
https://doi.org/10.13135/2281-6658/996Keywords:
Nabokov, body, final works,Abstract
This article explores ways in which Peter Brooks' notions of the semiotization of the body and of the somatization of story may furnish hermeneutic keys to Nabokov's works. It focuses on the latter's non-fictional writings from the 1920s to the 1960s, as well as his novels — notably Lolita, Ada and especially The Original of Laura —, so as to examine how the paradigms of agon and eros operate in the writer's figuring of the reader and in his elaboration of embodied narratives.
Downloads
Downloads
Published
Issue
Section
License
Authors keep the copyrights for their work and give the journal the work’s first publication copyright, which is at the same time licensed under a Creative Commons License – Attribution, which in turn allows other parties to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Content Licence
You are free to copy, distribute and transmit the work, and to adapt the work. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
Metadata licence
CoSMo published articles metadata are dedicated to the public domain by waiving all publisher's rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law.
You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
