The revaluation of Cicero in Giuseppe Rensi: an interested twentieth-century portrait
DOI:
https://doi.org/10.13135/2532-5353/10911Abstract
This article explores the portrait of Cicero painted by Giuseppe Rensi (1871-1941). Rensi, this paper argues, does not aim at a rigorous or perfect philological reconstruction, but seeks to make Cicero the cornerstone in a peculiar (and original) long history of “Italian skepticism”. Rensi also presents Cicero as an ancient alter ego, and, therefore, as a paradigm of opposition to any form of totalitarian dictatorship, whether against Caesarism in Rome at the end of the I century B.C.E. or against Mussolini’s fascism in Italy in the first part of the XX century
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.