Stirring the Soul Du Bos and the Aesthetic of the Artificial Passions

Abstract

Jean-Baptiste Du Bos’s Critical Reflections on Poetry and Painting offers a profound exploration of the emotional power of art, positioning it as a pivotal force in human experience. Du Bos contends that art’s primary function is to evoke and channel emotions through what he terms ‘artificial passions’—temporary yet intense emotional states that mimic real-life passions without their lasting consequences. He argues that humanity’s natural sensitivity to emotional stimuli forms the foundation of society and our collective aesthetic experience. Art provides a form of controlled catharsis, allowing individuals to confront existential voids and emotional stagnation.  Du Bos emphasizes the unique pleasure derived from balancing emotional engagement with the cognitive awareness that the depicted events are fictional. This ‘aesthetic disinterest’ fosters a space where reason and sentiment collaborate, enabling viewers to feel deeply while maintaining emotional safety. Du Bos critiques simplistic notions of art as mere distraction, asserting instead that its purpose is to connect individuals through shared emotional experiences, fostering empathy and solidarity.  Moreover, he addresses the moral dimension of art, suggesting that its capacity to stir compassion can promote ethical behaviour. His insights into the fleeting nature of emotions, the dangers of emotional desensitization, and the interplay of instinct and reason offer a nuanced understanding of how art resonates with human sensitivity. Ultimately, Du Bos’s reflections underscore art’s enduring ability to evoke, soothe, and unify, revealing its essential role in both individual and societal well-being.

Keywords: Jean-Baptiste Du Bos, Sympathy, Aesthetics, Passions, Disinterest