Oneness and Plurality of Artistic Means: from Martin Heidegger to Daniel Albright
Abstract
In Panaesthetics, Daniel Albright surveys the empirical and theoretical contexts of the discipline, Comparative Arts. Albright explores primary issues in art philosophy: the differences among the arts, their interrelations, the autonomy of the artwork, or its dependence on cultural contexts, etc.. His genealogies are diverse and at times, contradictory. From Heidegger he borrows the idea of the artwork being in steady swerving between the world’s linguistic essence and the earth’s silence. From Nancy, he borrows the discourse of the body. Albright’s most thought-provoking ideas emerge from such contradictions
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