Sounds, Sense and Signature : Beckett’s Swerving Identity
DOI:
https://doi.org/10.13135/2281-6658/775Keywords:
beckett derrida identity sound signatureAbstract
The essay investigates Beckett’s “particular exploitation of sounds” as they especially appear in the names “Hamm” and “Godot”, and in the pun of the title of Whoroscope. By drawing on Beckett’s letters and by offering close readings of several passages, Bizub convincingly establishes a connection between sounds and “signature” (drawing on Derrida) as a source of identity or of “the impossibility of any attempt at a precise definition of the character’s identity”Downloads
Downloads
Published
Issue
Section
License
Authors keep the copyrights for their work and give the journal the work’s first publication copyright, which is at the same time licensed under a Creative Commons License – Attribution, which in turn allows other parties to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Content Licence
You are free to copy, distribute and transmit the work, and to adapt the work. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
Metadata licence
CoSMo published articles metadata are dedicated to the public domain by waiving all publisher's rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law.
You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
