André Salmon and Picasso, “Greatest Artist of His Era”
DOI:
https://doi.org/10.13135/2281-6658/6342Keywords:
Salmon, Picasso, Mécislas Golberg, Rimbaud, Boy With a Pipe, Demoiselles d’Avignon, Woman in a GardenAbstract
André Salmon and Pablo Picasso enjoyed a close relationship from 1905 onwards and Salmon’s poetry and prose offer exceptionally clear-sighted responses to Picasso’s work. Writing as an insider and eye-witness, Salmon provides vivid insights and key information on individual works, but also identifies and highlights significant turning points in the artist’s development. Picasso cold-shouldered Salmon from 1935 to 1951, because of his journalistic activities. Once reconciled, they saw each other regularly in Sanary-sur-Mer and a late Picasso drawing indicates his interest in La Terreur noire, Salmon’s 1959 history of anarchism.
Downloads
Downloads
Published
Issue
Section
License
Authors keep the copyrights for their work and give the journal the work’s first publication copyright, which is at the same time licensed under a Creative Commons License – Attribution, which in turn allows other parties to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Content Licence
You are free to copy, distribute and transmit the work, and to adapt the work. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
Metadata licence
CoSMo published articles metadata are dedicated to the public domain by waiving all publisher's rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law.
You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
