The Audio-visual Landscape: Aesthetics and Complexity
DOI:
https://doi.org/10.13135/2281-6658/5428Keywords:
Aesthetics, Ecology, Landscape, Cinema, Immersive Vision, Cosmomorphism, Media EnvironmentAbstract
We can hypothesise that greater effectiveness in favouring the establishment of a cosmocentric paradigm is to be sought in at least a basic factor inherent in the aesthetic experience of the audio-visual image of the landscape: the “introjective” or “immersive” vision, which implies the symbolic overcoming of the threshold of representation by the spectator and their fusion with what is represented, a perception of the environment not as an external surrounding space, but as a place in which one is included and of which one is part.
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