Schoenberg in George’s Garden

Authors

DOI:

https://doi.org/10.13135/2281-6658/4631

Keywords:

Arnold Schoenberg, Schoenberg op. 15, The Book of Hanging Gardens, Stefan George, Symbolism, Atonality

Abstract

This paper focuses on the relation between text and music from the perspective Schoenberg’s reflections in essay “The Relationship to the text” offers. George’s lyrics provoked Schoenberg to cross over the unexplored territory of atonality. The rich sonority of George’s poetry, finds in the songs of The Book of Hanging Gardens counterpart music that goes beyond the limits of the traditional aesthetics of songwriting. With the Georgelieder Schoenberg succeeded in approaching not only a formal and expressive ideal, but a new spatial dimension.

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Author Biography

Anna Maria Rastelli, Conservatorio di Musica di Milano

Docente di Pianoforte - Dipartimento di Pianoforte

Dipartimento Musica Vocale da Camera - Docente ospite 

Published

2020-06-26