In viaggio nei “mondi/universi possibili”. Postfazione

Autori

  • Teresa Biondi Università di Torino

DOI:

https://doi.org/10.13135/2281-6658/4091

Parole chiave:

Movie Tourism, Media Identity, Landscape, Potential Worlds-Universes, Sense of Otherness.

Abstract

The first way of travelling at a movie is always virtual/mental (film-related imagination) and subsequently, a real movement may occur towards movie sets or locations seen in the movie (film-induced travel). This double (immersive) process of knowledge of the other and places, that cinematography (perception of the filmic sense) initiated, established a new way of experiencing/knowing/understanding global culture since the very first movies – starting from the cultural identity of the reference frameworks (embodied imaginary), which are different from each other but always parts of the broader common conscience of individuals (mankind) and a single large country (the World). The movie tourists/spectators have become virtual citizens through the media as they live in the McLuhanian “global village” in its broadest sense.

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Biografia autore

Teresa Biondi, Università di Torino

Dipartimento di Lingue e Letterature straniere e Culture moderne

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Pubblicato

2019-12-28